Dating orpheum banjos

14 Nov

I weighed putting these on my site, but they belong here.

If you have an old catalog for Asian (primarily Japanese) banjos, I'd like to hear from you.

Lange’s Paramount Banjo Company – it was their primary subsidiary brand, the alternatively priced while still boldly appointed instrument for the player with the smallish hands and modest budget who desired a smaller distance from the nut to the bridge. The #3 was the top of the Orpheum line – its sister models being, remarkably enough, the simple #1 and the moderately simple #2.

Only the #3 got to go to college where it received a crème bound headplate festooned with dozens of individual pieces of abalone and pearl that forms ferns and vines, stars and feathers, and is emblazoned with the words “Orpheum” and “No.

Over the decades, the design became more sophisticated, especially in the 1870s and 1880s, when banjos began to include frets, steels rings, a tone ring, and a resonator. Stations often aired live performances featuring country groups, which frequently included a banjo.

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they probably sat in the pub on a Friday night discussing their new ideas, playing their instruments. With significant metal working skills was he capitalising on the latest fashion in musical instruments? Otto Schlight new maker more Clamp research more Strebe pictures Lund pictures New maker Sulley Ball, Bevan research Cubley pictures Pelton Pictures Strebe Pictures CE Dobson pictures Dayton pictures Bohmann Henning pictures Butler pictures Howe pictures Etherington new maker Parker research Waldo pictures Schall pictures Spratt research Kohler research Skinner pictures Matthew research Skinner JW research Winder research Schmick pictures Rickett pictures Stratton pictures Farris Pictures Boosey research Farris research Tilley research Luscomb pictures Dallas Pony pictures Taylor of Liverpool research Stromberg Voisinet Chicago Music Company Winder new pictures Bostock new Pictures Tonk Bros.

3.” The headstock itself is a laminate of 9 different layers of colored wood; the pearwood underlay on the back of the headstock is bestowed the largest inlaid fleur-de-lis we’ve ever seen measuring around 1 ¼” in width by 2” in height, and below that is a backstrap -- a series of nested layers of colored wood culminating in a point and leading to a three-ply central laminate that travels all the way down to the heel, that is extensively carved with flowers, petals and what appears to be an electric fan (apparently still a newfangled thing in 1930).

Tuners are the original grained ivoroid friction type with gold-plated metal shafts.

Interest in the instrument waned as the guitar became the land’s dominant stringed instrument.

Since the banjo’s standardization, producers have crafted many variations, but most banjos have either four or five strings.